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Vincent Blanchet (16 April 1945 – 13 March 2011) was a French filmmaker, documentary teacher and inventor of microphones. ==Biography== Vincent Evart Blanchet was born in Neuilly-sur-Seine,〔Rège, P. ''Encyclopedia of French Film Directors'', vol. 1, Scarecrow Press, 2009.〕 Paris, to Dutch-born artist Bernarda Vleming Blanchet and French poet Jean Auguste Blanchet. From 1962 to 1967, Blanchet filmed a series of 16-mm amateur shorts in a Parisian Ciné-Club while attending the screenings of Henri Langlois at the Cinémathèque Française. Blanchet was inspired by Robert Flaherty, and the Direct Cinema tradition of Richard Leacock, D. A. Pennebaker, Michel Brault and Pierre Perrault. While teaching cinema practice at Paris X Nanterre with Jean Rouch from 1969 to 1978 and documentary filmmaking at IDHEC, and elaborating his own practice as a filmmaker, Blanchet began working as cameraman and sound engineer. He won the Sadoul Prize for ''Histoire de Wahari'' in 1974 and became a member of the jury where he remained until 1989. In 1978, through the teaching practices from Paris X Nanterre, he co-founded the international film school Ateliers Varan with Jean Rouch, J-P Beauviala, Jacques D'Arthuys, his brother Severin Blanchet, and a number of their students from Nanterre. Blanchet became one of the main founders of the school's particular filmmaking pedagogy, and his pedagogical principles are still put into action today.〔http://www.liberation.fr/culture/1995/08/05/un-point-de-vue-des-images-du-monde-a-l-ecole-des-ateliers-varan-ou-comment-filmer-le-reel-sans-esbr_142201〕 In the mid-1980s, with the royalties from his latest fiction, he bought all the microphones on the market, took them apart to find out how they work - and why they don't work well enough. He developed a series of microphones, built on new principles, and used them in his own films, generally mounted directly on a small video camera. The sound is particularly transparent and the mikes produce a auditory "depth of field" that make them particularly suited for one-person film crews. A number of filmmakers started using the microphones, among them, Richard Leacock.〔Leacock, Richard: ''The Feeling of Being There - a Filmmaker's Memoir'', Paris: Semeïon Editions, 2012.〕 He also developed a series of serial mikes for acoustic instruments, and made sound recordings for e.g. Randy Weston, Richard Leacock & Sarah Caldwell, Jean-Louis Aubert, and Alain Roudier. The mikes were patented, but have never been put into industrial production. He features in ''Les Favoris de la Lune'' (Otar Iosseliani, France / Italy, 1984), ''La Petite Minute de Bonheur'' (Laurence Attali, 1998) and ''Zuneigung—Die Filmemacherin Gisela Tuchtenhagen'' (Quinka F. Stoehr). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Vincent Blanchet」の詳細全文を読む スポンサード リンク
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